Which Person Comes First?

Today, I'm over at WriterUnboxed talking about why I write in the first-person, and why I think writing in the third person is so much tougher (for me).

And last night, I attended a book party for the awesome Laura Dave and The Divorce Party. I had the pleasure of catching up with some writer friends, and here's a pic! (Taken from a Blackberry, so it's sort of sketchy....and please ignore my bag that looks mildly perverse stuck between my legs! Ha!) With me are Sarah Mlynowski, Janelle Brown (whose book I posted about last week), Laura Dave, and Alison Pace. (The woman on the end was a friend of a friend.) Great fun!

Any LA or SF-ers here?

I'm debating setting up LA or San Fran readings/signings for October, but I'm on the fence about the size of the crowd I'd bring in and whether or not the travel/headache/leaving the kids with my husband and hoping they surive/etc would be worth it. As I've mentioned in the past, book tours aren't as big a deal anymore, nor are publishers anxious to send you halfway across the world (or in my case, 3000 miles) if you're not going to generate good turn-outs. And I'm certainly not interested in jetting to Cali to do a reading for 7 people. Er. Yeah. No.

So I was curious to see if there are any/many LA or SF readers here who might pop in for a signing. Feel free to post below or email me off-board.

Merci!

Finding a Mentor

Question of the day: can one look for a mentor in the writing business and how?

Absolutely. I assume that you mean formal mentor, which I'll get to in a second, but I also heartily recommend befriending writers whose careers you admire because often times, if they're generous (and many writers are), you can learn simply by example. The best place that I've found to do this is on FreelanceSuccess.com, where people dole out info and advice by the bucketfuls on the forum, and are always willing to advise you on whatever your dilemma/question, as long as it's not too, too insipid (and this is a high bar, so don't worry) and as long as they have an actual answer. (Thus, if you post something and don't get any replies, it's likely that no one knows the answer, not that you smell.)

As far as formal mentoring, I do know some writers who offer guidance and classes and such. I don't want to name them personally because I'm not sure if they're looking to take on new clients, but I welcome people to post names and referrals below. Alternatively, consider contacting associations such as ASJA or even Mediabistro. I know that ASJA has a formal mentoring program that it offers at its conference, and you might be able to hook up with someone throughout the year as well. Other than that, consider sending a writer whom you admire a note and asking him/her to BE your mentor. Several people have written me in the past to request a mentorship, but I've never been comfortable taking money from fellow-writers (and frankly, I never really had the time to take this on), but definitely, some writers love mentoring, and they'll jump at your request.

I'm sure that there are other great ways to find mentors: readers want to chime in with ideas?

I Quit!

Question of the day: I'm an English teacher who woke up one day and realized she has to go after her dream of becoming a writer now or go broke. I want to pursue writing novels and short stories and possibly articles. I was wondering how can I break into the business and earn enough that I can quit my job? I know it's going to probably take a long time but I'm willing to give it a shot. Also, can one look for a mentor in the writing business and how?

I think I've addressed the first question before (search the archives for a header called "Ditching the Day Job"), but I'm happy to answer it again, though I'm not sure that you'll be happy with the answer, which is this: it is likely that it will be a very, very long time until you can quit your day job. Bummer, I know. Actually, let me caveat that: it all depends on what sort of income you deem acceptable to live on. I live in NYC: my requirements for living/earning are a lot higher than someone who lives in the plains of Kansas. In other words: 50k in NYC is not the same thing as 50k in the plains of Kansas.

So, with that caveat out of the way, here are some additional thoughts. Several surveys have recently been conducted on what freelancers earn, including this ASJA one, and most freelancers (according to the ASJA poll, nearly 70%) earn less than 50k. (And according to that same poll, it took 4-5 years to establish themselves.) If I recall correctly, another survey I read about pegged that salary at closer to 40k. So - again, your 40k might not be my 40k, but it's a good barometer for what you might expect to earn after years of breaking in. This is not a career for those who aspire to lives of luxury.

Is it possible to earn more? Sure. Of course. I'm an example of it. I've worked my tail off and been lucky enough to make a healthy living as a freelancer, but I don't know that you should count on it. I really do believe that timing and luck (and yes, perseverance and chemistry with editors and personality) play into a writer's success, and I'd be foolish to think that I hadn't reaped the benefits of both of these.

I think it also depends on what sort of writing you do. I know far more full-time magazine writers than I do novelists. The average fiction advance is pitifully small (less than 10k), and you simply (obviously) can't survive on this if you're expected to contribute to the household income in any significant way. Magazine writing can be more lucrative (ergo that 40-50k annual earning), but much of this is feast or famine: you might have months-long dry spells and then be so busy that you can't keep your deadlines straight. So...one more thing to be aware of when and if you quit. I know several best-selling novelists who have yet to quit their day jobs. Seriously. Maybe this is a case of being overly-cautious (who am I to judge? I don't have access to their financial statements), but it can also be prudent: an advance is a one-time thing and if you don't keep selling new books to a publisher or earn royalties, well, that's all you're earning from this book.

Okay. I feel like I've been really discouraging. I don't mean to. Because it is fully possible to make a living as a freelancer. Just as me! (Er, you already did!) And plenty of my friends. But it is a process - and it can be a long one. I was lucky: due to a variety of circumstances, I was contracted to write a book nearly as soon as I left PR, and from there, national magazines followed. But I still continued to supplement my income with PR work until it was clear that I could literally afford to drop it. So I guess what I'm saying here is dig into the trenches and be prepared to walk uphill. If you're a teacher, find time to pitch smaller magazines, local publications or websites (all of which will be easier to break into) in the afternoon when school is out. (Again, check the archives for breaking in - there's a lot of good info on how to do it. You can also search for "FOB.") But don't march into the Principal's office and yell, "I quit," just yet. Eventually, maybe, probably even. But not until you have your ducks in a row and feel certain that there are clients and editors out there waiting for you to write for them.

As far as your mentoring question, I'll answer it tomorrow! I've been long-winded enough today as it is. :)

So readers, when did you quit your day job? How did you know that it was the right time? And if you haven't, when do you plan to?