Today, I'm over at Writer Unboxed chatting about the pre-publication galley push that's planned for Time of My Life.
Check it out!
And while you're clicking around the web, don't miss Betty Confidential. BettyConfidential.com is a content and confidential networking community website focusing on women's life stages and interests. BettyConfidential.com offers a place for women to raise their voices, be heard, and express themselves about real "day-to-day" issues in a "room full of women" atmosphere. BettyConfidential.com was co-founded by bestselling author and television commentator Deborah Perry Piscione and Internet entrepreneur Shaun Marsh in March 2008. CNN's Soledad O'Brien serves as Chairman of the Advisory Board. The fabulous Manic Mommy also writes for them, which is more than enough reason to check it out!
Thursday, May 08, 2008
Tuesday, May 06, 2008
Great Summer Reads (By My Friends)
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1) Such a Pretty Fat: One Narcissist's Quest To Discover if Her Life Makes Her Ass LookBig, Or Why Pie is Not The Answer by Jen Lancaster. If you've read either of Jen's previous memoirs, you know that she is scathingly funny and this time, she turns the spotlight on herself as she trucks to the gym and puts herself on a diet, in an attempt to slim down. Jen sent me a copy of the book, and while I've been swamped, I've only be able to read the first few chapters, but needless to say, it is laugh-out-loud funny. Like, really laugh-out-loud funny. If you've ever wished a few pounds away, dragged your ass to the gym or tried to stuff yourself into skinny jeans, this book is for you. Check out more on Amazon.
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4) Moose: A Memoir of Fat Camp by Stephanie Klein.
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So, go ahead and share, what's on your summer reading list?
Monday, May 05, 2008
So, Where Do I Sign?
Question of the day: I'm finishing up the work on a book and starting to think about looking for an agent and I have some questions. I assume that when you do finally find an agent, you sign some sort of contract with them? What kind of things are in the contract and what kinds of things should not be in the contract? I assume that in this type of situation their is the potential to sign your writing life away (just like with publishers) or am I just being paranoid? Any clarification would be helpful, thanks.
You are not being super-paranoid - this is a great question. Too few writers don't think about the fine print and can end up getting screwed as a result.
Every agent and agency handles contracts differently. Some (I'd venture to say most) agencies do indeed have standard contracts that they'll issue to you once you've been offered (and accepted!) representation. The clauses in the contract may include everything from stuff like the percentage fee that the agent receives to how they deal with foreign and film rights to how you can both remove yourself from the agreement. If you have any doubts about some of these clauses, I do suggest that you hire a lawyer - for one hour's fee, he or she can save you a lot of headache in the future. But basically, you should definitely ensure that you're not granting the rights to your agent for any and all future works and that there are clear terms on how to end the relationship. Agents are going to be inflexible on some things (i.e. their fee, which the industry standard dictates is 15%), but if anything is a real red flag and they won't waver, remember that having shady representation does no one any favors.
That said, there are plenty of agents - good, top agents - who operate with a gentleman's agreement. And this isn't necessarily indicative of whether or not they're legit. If this practice makes you uncomfortable, simply ask your future-agent to put it in writing: it won't be the first time he or she has been asked, trust me, and it shows good business acumen for you, your career, and your future.
So readers, what are some other contract red flags? What else can one expect to see in said paperwork?
You are not being super-paranoid - this is a great question. Too few writers don't think about the fine print and can end up getting screwed as a result.
Every agent and agency handles contracts differently. Some (I'd venture to say most) agencies do indeed have standard contracts that they'll issue to you once you've been offered (and accepted!) representation. The clauses in the contract may include everything from stuff like the percentage fee that the agent receives to how they deal with foreign and film rights to how you can both remove yourself from the agreement. If you have any doubts about some of these clauses, I do suggest that you hire a lawyer - for one hour's fee, he or she can save you a lot of headache in the future. But basically, you should definitely ensure that you're not granting the rights to your agent for any and all future works and that there are clear terms on how to end the relationship. Agents are going to be inflexible on some things (i.e. their fee, which the industry standard dictates is 15%), but if anything is a real red flag and they won't waver, remember that having shady representation does no one any favors.
That said, there are plenty of agents - good, top agents - who operate with a gentleman's agreement. And this isn't necessarily indicative of whether or not they're legit. If this practice makes you uncomfortable, simply ask your future-agent to put it in writing: it won't be the first time he or she has been asked, trust me, and it shows good business acumen for you, your career, and your future.
So readers, what are some other contract red flags? What else can one expect to see in said paperwork?
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